Albert Camus’s play “The Misunderstanding,” considered by researchers as a version of the modern tragedy of fate, was first published and staged in 1944. The main ideological core of “The Misunderstanding” is, as one of the researchers, V.V. Shervashidze, correctly notes, < /p>

...alienation, restlessness of a person in the world of people, the inability to break through not only the dull armor of mutual misunderstanding, but also the hostile silence of the world. Camus makes an attempt to reconsider his previous positions, “to establish boundaries between what is permitted and what is not permitted.”