Sonnets

Sonnets

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FL/850477/UA
Ukrainian
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The founder of modern lyricism, the world-famous poet of the Italian Renaissance Francesco Petrarca (1304–1374), not only changed the content of poetry, but also created a perfect poetic form. His poems are musical and his images are elegant. Petrarch's lyrics had a great influence on the development of European poetry. Along with Dante and G. Boccaccio, he is considered the creator of the Italian literary language. In his youth, Petrarch prepared to become a lawyer, but the desire to become famous forced him to write. And although towards the end of his life he realized the frailty of glory before eternity, he still achieved what he wanted - the poet was crowned with laurels in the Roman Capitol. This collection presents all 317 sonnets of this immortal poet. They are addressed to a real-life woman and consist of two parts: “On the life of Madonna Laura” and “On the death of Madonna Laura.” The book opens with the autobiographical prose “Letter to Descendants,” which is perhaps the first of its kind.



The text of the book was translated from the original language using an artificial intelligence program. For the most part, the translation of the text is of very high quality, but in some cases, due to the imperfection of the technology, there may be incorrect phrase translations in the text, as well as single words and expressions may not be translated.
FL/850477/UA

Data sheet

Name of the Author
Франческо Петрарка
Language
Ukrainian
Release date
1997
Translator
Абрам Маркович Эфрос
Александр Михайлович Ревич
Алексей Васильевич Парин
Ариадна Сергеевна Эфрон
Асар Исаевич Эппель
Вильгельм Вениаминович Левик
Владимир Борисович Микушевич
Вячеслав Иванович Иванов
Евгений Владимирович Витковский
Евгений Михайлович Солонович
Зинаида Николаевна Морозкина
Новелла Николаевна Матвеева
Сергей Александрович Ошеров
Юрий Никандрович Верховский

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Sonnets

The founder of modern lyricism, the world-famous poet of the Italian Renaissance Francesco Petrarca (1304–1374), not only changed the content of poetry, but ...

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