Her prose is called tough, intense, furious. She knows how to make clear the painful rhythm of today's life, and pull out key psychological problems from the thick of everyday life. Her favorite situations are situations of extremes - if love, then it is unfortunate, painful, inescapable (“The Architect of the Comma is not mine”); if the hero made a mistake in his youth, it was an irreparable one that affected his entire life (“A month came out of the fog”). This also determines the author’s style, which evokes a variety of interpretations - from reproaches for “verbal balancing act” to admiration for “a flexible, magical phrase.”