Bogdan-Іgor AntonichBogdan-Іgor Antonich (1909-1937) having rejoiced on the 5th of June 1909. in Lemkivshchyna in the homeland of the village priest Vasyl Kot, who, shortly before his birth, changed his nickname to Antonin. In 1914. The Antonichs' homeland moved to Vidnya, where it endured several fates in the face of bitter misfortune. In 1919 Bogdan and his mother (his father was arrested by the Polish authorities) moved to Pryashivshchyna before his mother’s brother, who was punished by the Pilsudski regime with death for claiming rights for the Galician Lemkivshchyna. Ukraine at that time was experiencing a historical moment. On the cob 1919 r. Two young powers merged: UPR (Ukrainian People's Republic) and ZUNR (Zakhidno-Ukrainian People's Republic). Even though my political fate immediately hung by a thread, this short period of independence passed through the world of culture. "Galichani" Poland, “skhodnyak” way of life] of the URSR, “Transcarpathians” in the Czech Republic felt themselves (with a sung world of idealism) parts of the great Ukraine, which is not yet on the world’s map, otherwise it will inevitably be. During the period of such national enthusiasm, the school days of Bogdan-Igor fell. The difficult wars were fought on the healthy lad. Often and severely weakened. So they first hired a private home teacher, and at 11 a.m. they sent him to the Syanotsk gymnasium. In this very same Polish gymnasium for the entire Lemkiv region (there were no Ukrainians there) for two years the Ukrainian language was in walnut and Latin.U 1923-25 pp. B.-I. Antonich, having started to write, create. The last two years of his life in the gymnasium, his teacher was Lev Gets, a long-time Ukrainian artist. Goetz Having savored Antonin’s relish, he began to learn a great inflow. Starting at the university and having completed his studies, Bogdan-Igor poured over his teacher’s books, which he rated very highly, considering them “with inconceivable treasures.” Antonich, a high school student, burst into music and played the violin, which he later thought of as a “musical tree.” Performing at school concerts and composing melodies. Also painted and seriously inspired by the image-creative mysticism. In 1928. B.I. Antonich graduated from high school and enrolled in the humanities faculty of Lviv University (specialty - Slovenian philology); starting to make friends during the period. It was in the library of the magazine “Dazhbog” that the first collection “Privitanny of Life” appeared. In 1933, having graduated from the university with a master’s degree philosophy, Antonich became a great writer. Issued 1934 B.-G. Antonich actively participates in the Western Ukrainian chapels “Vogni”, “Dzvony”, “Nazustrich”, “Mi”. Also, with the help of Bogdan Kravtsev, he saw the collection “Three Rings”, for which he received the literary prize of the Association of Ukrainian Writers and Journalists. Ivan Frank. For various reasons, the writer prepares several books of poetry, works on short prose, writes a novel and a libretto for an opera, and tries out the role of a mysticist. At 193b r. It turns out that the most popular collection is B-I. Antonich "The Book of Lev". Visualization after the operation in G937r. collapsed due to the burning of the legs. The weak heart did not show. 6 Lipnya Bogdan-Igor Antonich died. Pokhovana sings on the Yanivsky district near Lvov. The collections “Green Gospel” and “Rotations” were published in 1938. posthumously. “The Green Gospel” is the book of nature, “Rotation” is the book of place and civilization, and “Great Harmony” is the book of faith. Antonich celebrates the collective memory of the ancestral Slavs. The prefix is very important to your svetoglyad. The depths of centuries and distant generations sing to beckon. The hour here flares up for two figures - the line and the stake. The linear hour is a series of uninterrupted periods, life from the people until death. Kolovy hour is the hour of eternal turnings and changes. A good example of such a reasonable hour is given by the calendar rituals of folklore), which somehow turns us back to the very same, frequently repeated rituals: generosity, caroling, the invocation of spring, the drowning of Madder in the bathing water. The idea of immortality as an endless mantra of the soul (based on the ancient Indian philosophy is the interpretation that the soul is popular suddenly, long after his previous life, the people, the creatures and the people, began to sob. Antonich’s creativity is in conflict with folklore, and the powerful verses echoed Christian mythology, connected with the old age ancient passages, canonical gospels and historical apocrypha. (The “Book of Lev” looks especially noteworthy here, where it goes into myths about the movement of the elements, luminaries, the earth of all things). In the remaining two collections – “The Green Gospel” and “Rotations” – Antonich gives lyrical retellings of the beginnings of the world: “The first chapter of the Bible”, “Myth”, as well as pictures of the apocalypse: “The End of the World”, “ Surmi for the rest of the day.” The imminent death of civilization can be regarded as a moment of eternal conflict between creation and beggar. In addition, Bogdan-Igor Antonich championed the motifs of antiquity (Egyptian, Indian, Greek) and filthy mythology of the Slovenians about the great circle of life in the Universe. All of them have become so-called pre-literate cultures. I was inspired by the thought of the creation of new myths that are popping up before our eyes. Without respecting them, they are less valid, less valid. Nafpaki. To write verses - this also meant for one to engage in myth-making. The hour of the world sings not in months, but in centuries. The traces of past peoples and extinct cultures have been carefully erased, so you can imagine a prehistoric people rightfully bound to their place in the sun, to their land: In Antonich you will never find a beastly-looking people as the king of nature, however, he immediately reinforces how jealous and how similar are living things, animals, people and growth before the elements, pray to God to protect in the covenant “and human and animal cubes.” Not without reason, the image of the earth as an element became the basis of the images of Antonichev’s poetry.B.-I. Antonich is the author of six books of poetry. Cream “Hello Life” (1931), he also saw “Three Fingers” (1934), “The Book of Lev” (1936) and three more in order – “The Green Gospel”, “Rotations” and “Great Harmony”. He sings by arranging his selections in an extremely subtle composition. Vіn did not adhere to the principle “what you wrote is what you saw.” The three remaining collections were prepared to continue four fates, gradually developing an idea and continuing its form. Critics still have not yet fully recognized Antonich’s importance in the development of Ukrainian poetry. The stench will continue to haunt one hundred percent of its exact position in the spectrum of Ukrainian literature of the 20th century. Although Antonich himself wanted to share his poetry with the avant-garde, he wrote I’m glad that in the underground channel of the current poetry, below any specific poetry. In contrast to the most prominent schools and literary movements, they spoke about the “avant-garde approach” with the constant search for new, more unique forms of expression, for permanent creations, for the steady development of the cognitive power of mysticism. Privitannaya zhita”, starting out as a romantic rebel, then turned to death and regrets creativity in “Three Rings” and, in turn, rediscovered the role of a myth-maker, whose style of writing can be described as between symbolism and the avant-garde, although it is not easy to understand from the point of view of criticism. Antonichev’s ability to live in different ways of expressing different perspectives in view of activity, whose openness to rich voices and richness reveals his faith in those who have the best way to recognize and save The unity of everything that exists is to create the super-eternities attached to the earthly light in the vast expanse. Prote at the most enduring activity “beyond the dawn” (collections “Book of Lev” and “Green Gospel”), this super-eternity is presented as a part of unity, eternal wholeness, which is int Mityets understands this clearly. At the very heart of Antonich’s aesthetics there is a transcendental beauty, which is a contradiction of earthly beauty, and how, in a nutshell, to create “great harmony” is absolute truth. The problem of truth has overwhelmed Antonich’s search for the primordial word - the “true word” ; Having shared the reconversion of modernists, the primary words were found more often than not, and this adds to the sadness of the lost Paradise of indetailed harmony between man and nature. Antonich respected that only mysticism can best give completeness to the greedy life before birth. Antonich, having shared the symbolist tightness behind the greater light, revealed the specific musicality of the verse; With the avant-garde, he was tied to the poetic craft, the position of an indestructible guard, paraphrase and careful work with the word. In this way, we have achieved in poetry the rational and irrational principles. Antonichev's paganism reveals a poetic chord between prophetic visions and designs. Ukrainian poetry XX century. MAIN CREATIONS: Collections “Privitannya zhittya”, “ Three Rings”, “Book of Lev”, “Green Gospel”, “Rotations” and “Great Harmony”.