The prose here before us is, of course, short. But there is enough rage for several novels. What exactly Burroughs describes and what he protests against is not so important. Direct action, crooked logic and crooked speech are important. A true revolutionary is always on both sides of the barricades and his main enemy is the one with the white flag. In "Here Ah Pooch" we see the death of the Mayans, in "Tornado Alley" we see the murder of the American dream. For all. And for all the good things, including: “...thank you for the Indians, not very obstinate, not very dangerous, thank you for the exterminated wolves and coyotes, thank you for the “Kill the fag in the name of Christ” stickers, thank you for laboratory-developed AIDS, thank you for a nation of snitches" Hence the dedication to John Dillinger, hence the music of Gunner Kelly. Just so as not to become close to the freaks who will inevitably die from the virus that they themselves gave birth to. We are, of course, talking about a verbal, sounding virus, or rather, voicing it. One has only to describe fear, and the person will be afraid. It is enough to describe the death of the freaks, and it will immediately come.

Contents: HERE AH PUCHSAUNA SINKIRUSKIKOT INTRAGHOST CHANCEALLEY TORNADO