Why did the easel painting not die?

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“It is well known that the theory of the so-called. production art (at the same time the production theory of art) asserts the inevitability of the death of easel art in the process of collectivization of society, considering the easel painting as a commodity form of reflective art, serving as a surrogate for unorganized reality and, to a large extent, a means of understanding it and indirectly influencing its development...”
The text of the book was translated from the original language using an artificial intelligence program. For the most part, the translation of the text is of very high quality, but in some cases, due to the imperfection of the technology, there may be incorrect phrase translations in the text, as well as single words and expressions may not be translated.
FL/213106/UA
Data sheet
- Name of the Author
- Борис Арватов Игнатьевич
- Language
- Ukrainian