Why did the easel painting not die?
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“It is well known that the theory of the so-called. production art (at the same time the production theory of art) asserts the inevitability of the death of easel art in the process of collectivization of society, considering the easel painting as a commodity form of reflective art, serving as a surrogate for unorganized reality and, to a large extent, a means of understanding it and indirectly influencing its development...”
FL/213106/R
Data sheet
- Name of the Author
- Борис Арватов Игнатьевич
- Language
- Russian