The book includes almost the entire poetic heritage of A.N. Muravyova (1806–1874): collection "Tavrida", published in 1827 and representing a bibliographic rarity; a previously unpublished collection of “Experiments in Poems” preserved in manuscript. The extensive commentary section includes textual analysis, historical-literary analysis, intertextual analysis, poetic analysis, and actual commentary. The “Appendices” section includes all surviving materials related to the reconstruction of the plan, the history of creation, and the perception of “Tavrida” by critics and contemporaries. An article is given about the life and work of A.N. Muravyova.CONTENTS:TAVRIDATavrida (7).Chatyr-Dag (10).Bakchi-Saray (15).Ruins of Korsun (19).St. George Monastery (27).Balaklava (31).Merdven (34).Alupka (39). Orianda (44). Yalta (51). Ayu-Dag (57). Kuchuk-Lambat (64).POETRY (71).Chatyr-Dag (73).Apostle in Kyiv (78).Dnieper (81).Mermaids (84).Olga (87).Svyatoslav (91).Ossian (95).Gall ( 97).Harp (99).Oblivion (101).Ermak (102).Tumbleweed (109).Despondency (114).The singer's dream (116).Elements (117).Prometheus (119).Eskimos (122) .Voice of the son (126).Ideal (128).Singer and Olga (130).To Persia! (132).Foundation of Moscow (134).Notes (141).ADDITIONS A.N.Muraviev. Experiments in verse (149). The Death of Dante (151). Italy (159). Constantinople Mass (161). The Kremlin (167). Tadmor (170). Bogomolets (172). Josaphat Valley (175). “The darkness of the night settled over the city ..." (176). Khan's catch (177). Song of the captive (180). Critical reviews of "Tavrida" (182). E. Baratynsky. “Tavrida” by A. Muravyov (182). M.P. (M.P. Pogodin). “Tavrida” by A. Muravyov (189). [P.I. Shalikov]. “Tavrida” by A. Muravyov (192). O. Somov. Review of Russian literature for 1827. [Fragment] (196). N. Markevich. Ukrainian melodies. [Fragment] (197).[A.V. Nikitenko]. Review of the activities of the Second Branch of the Imperial Academy of Sciences. [Fragment] (200). “Around “Tavrida”: letters from A.N. Muravyov to A.A. Mukhanov, V.A. Mukhanov and M.P. Pogodin (201). A.A. Mukhanov (201). B A. Mukhanov (213). M. P. Pogodin (229). APPENDICES. A. Khokhlova. About A.N. Muravyov and his poetry collection “Tavrida” (237). Composition and principles of publication (343). Comments (346). Tavrida (346). Experiences in poetry (433). Reviews of criticism about “Tavrida” (454 ) “Around “Tavrida”: letters from A.N. Muravyov to A.A. Mukhanov, V.A. Mukhanov and M.P. Pogodin (463). List of abbreviations (498). Index of names (499). List of illustrations ( 512).LIST OF ILLUSTRATIONS: Title page of A.N. Muravyov’s poetry collection “Tavrida” Map of the peninsula Crimea. 1847. Bakhchisarai. General view of the city. Colored aquatint by H.-G.-G.Geisler based on his own drawing from life. 1799-1801. IRLI Museum.Palace in Bakhchisarai. Lithograph by K.-F. Kügelchen based on his own drawing, 1803-1806. 1835. IRLI Museum. Khan's Palace in Bakhchisarai. Lithograph by F. Gross based on his own drawing from life. 1840s IRLI Museum. Fountain in the Bakhchisarai Palace. Lithograph by F. Gross based on his own drawing from life. 1840s Museum IRLI. Chufut-Kale. Copper engraving by Y. Evseev based on a drawing by de Paldo, corrected by A. A. Sergeev. 1803. From the book: Sumarokov P.I. Leisure activities of a Crimean judge, or the Second Journey to Taurida. P.I. St. Petersburg, 1803. View of the St. George Monastery from the sea. Lithograph by F. Gross based on his own drawing from life. 1840s IRLI Museum. View of the St. George Monastery. Engraving on copper N.Ya. Sablin based on a drawing from life by de Paldo, corrected by A.A. Sergeev. 1803. From the book: Sumarokov P.I. Leisure activities of a Crimean judge, or the Second Journey to Taurida. P.I. St. Petersburg, 1803. Baydar Valley. Lithograph of Victor based on a drawing from life by V. Passek. 1830s IRLI Museum. View of Merdven. Lithograph by K.-F. Kügelchen based on his own drawing, 1803-1806. 1835. Museum IRLI.Kikeneiz. Lithograph by F. Gross based on his own drawing from life. 1840s IRLI Museum. The Buyuk-Djurdzhur flow in the Ulu-Uven forest. Lithograph by F. Gross based on his own drawing from life. 1840s IRLI Museum. View of Koreiz. Lithograph by F. Gross based on his own drawing from life. 1840s IRLI Museum. View of Yalta. Lithograph by K.-F. Kügelchen based on his own drawing, 1803-1806. 1835. IRLI Museum. View of Gurzuf and Ayu-Dag. Steel engraving by Berndt and Bertrand based on their own drawing from a photograph. Mid-19th century. View from Karaasan to Ayu-Dag. Lithograph by I. Dmitriev based on his own drawing from life. 1836. Museum IRLI.Kuchuk-Lambat. Lithograph by F. Gross based on his own drawing from life. 1840s Museum IRLI.Kerch. Woodcut by Lemaître. 1830s IRLI Museum.