The prose of Alexander Misharin is heartfelt, touching, sometimes sad, but, of course, expressive, born of our very lives. This book was no exception. The bright novel and three stories contain unexpected turns, paradoxical plots, and large human characters carved out by modernity itself. The main conflict, developing within the boundaries of a twisted plot, is often based on the relationship between a person and his past and the dialogue between the hero and his inner voice.