Necromancer Wars
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Psychic energy is controlled by a small but powerful part of humanity, which led to a reorientation of civilization, a split, war and a new redivision of the world. The almost simultaneous death of millions of people and an innumerable number of other inhabitants of the planet led to the final formation and unprecedented flowering of the “necrosphere”, inside in which a certain alternative existence to the biosphere became possible, which cannot be described in terms of our reality. This does not exclude inevitable contacts with creatures from the necroworld and even the use by people of their supernatural qualities. Adherents of the “new order” learned to transform psychoenergy into any form, which led to the emergence of fundamentally new ways of waging war, suppressing resistance and subjugating the masses. Reality itself is partly a product of collective consciousness, projected outward by a few representatives of one of the evolutionary branches of humanity. As a result, the entire “reality” is controlled by no more than a hundred families. The only stronghold of resistance remains deeply hidden monasteries that have lost their former functions and are headed by sorcerer abbots who instill the cult of voodoo among their flock. The basis of their activities is experiments with the psyche and the training of zombified assassins operating outside the control of consciousness, which allows them to avoid the influence of the “psychedelic nightmare” and suicidal aspects of perception. The confrontation between the parties and the discovery of a mystical fetish called the “Masks of Set” leads to a paradoxical distortion and the intersection of realities in which a person from the near future operates, considering himself a zombie and actually representing a living instrument of violence, subordinate to a multi-layered hierarchy of programs that control him; and the product of necromancy: a “triple” creature from the 26th century, who returned to the world as a result of the fusion of three souls, shadows, “ka” - an innocent girl, a hanged killer and an old monk. The novel contains interpenetrating elements of ancient Egyptian mysticism, the cult of voodoo and perhaps classified as a synthetic genre, being at the same time a dystopia, a psychological and mystical-fiction thriller, as well as a hard action movie.
Data sheet
- Name of the Author
- Андрей Дашков Георгиевич
- Language
- Russian