“One December morning in 1986, I unexpectedly woke up with an almost finished crime plot - it’s still a mystery to me where it came from: “It was complete darkness. The lilies of the field smell, they were buried. Just don’t tell anyone.” And went and went to my surprise: “Death is watching from the garden”, “Fortress of an Angel”, “Sonya, insomnia, sleep”, “Go and kill!”, “Last freedom”, “Red Doll”, “Heart of a statue”, “Century” cinema” and so on... I write slowly, gradually penetrating the conflict, like the tragedy of people close to me, into their psychology, spiritually I nurture each novel like a child" (Inna Bulgakova).