A group of young people spend their “extra time” in a simple way: they ride the subway along the ring road, drinking cognac; hanging out in an Audi with a “broken block head”, dreaming of saving money for repairs and rushing to Crimea; they watch music videos and “The Simpsons” and smoke at Uryukova’s place when her parents once again go abroad. All this takes place to the music (they always turn it up loud) - life around them is like an endless video clip, and the clip does not evoke unnecessary emotions. The country once again hangs posters, holds “propaganda concerts”, calls for voting - but young people were born in the collapse of the USSR, they saw perestroika - and something like democracy - and if they go to a “concert for freedom of speech”, then for free beer. This is a subjective, but very recognizable portrait of the 80+ generation, written by the young director Katya Gordon. The author talks about his peers who “wait out their extra time” in a car with a broken cylinder head, in a country that also repairs its mechanisms. The main character is preoccupied with finding her own living space - finding her place in the “new kingdom-state.” The main question that faces all the characters in the story is included in the epigraph: “What to do next - go on for another twenty years, since others are doing this?” (A. Rimbaud)