The novel is dedicated to the life of the artistic intelligentsia from Russia in the turmoil of Israeli reality. The plot is constructed as a chain of meetings between heroes and the mysteries of other people's destinies. One might think that space constantly swirls around the heroes of the novel, involving them in extraordinary adventures. Each new character appears in front of them like a frame from a movie on a moving screen, and they are late for the beginning of the film, and the end floats past them before they have time to watch it. He floats away and takes his secret with him. A special place in the novel is occupied by the fourth chapter, which is a kind of reversal of “Lolita” by V. Nabokov. The new prose about Lolita is different, not Nabokov’s. Nina Voronel looks at the dramaturgy of the unequal relationship between a mature man and a teenage girl through the eyes of a nymphet involved in the whirlwind of adult conflicts. This move defines the air of the narrative, full of looseness, play, smiles, and warmth. Including a dangerous literary game: Nabokov’s novel is constantly present in Voronel’s novel. Dangerous, because if you play with Nabokov, there is no chance of winning. This one will beat anyone you want. However, Nina Voronel somehow manages. Her novel is feminine, adventurous, carnival.