How Right, that is the speech turned to other a recital of itself, confession, promise and forgiveness, - can transform a man? How and when does a subject able to undertake responsibility arise out of impersonal social and semantic structures? Is it possible to imagine radical transformation of subject not only in face of other man but also in face of art or in-process philosopher? A book А. В. Ямпольской is "Art invites readers a phenomenology" to the dialogue with thinkers, artists and poets - Деррида, Кандинским, Арендт, Шкловским, Рикером, Данте - and certainly with Edmund Гуссерлем.