The hero goes from a maximalist teenager who has an answer to everything to an adult who thinks about life and is faced with a decisive choice. There is irony in relation to stereotypes (misfits, prophecies, swords and superheroes...), and there is a categorical absence of magic and superpowers. The “Winter Writing” cycle: “How I was a girl”, “How I was a wolf”, “How I was a benefit”, “ How I was a nomen”, “How I was a fiancee”, “How I was a switchman”. A saga about love, loyalty and duty, wrapped in ticklish adventures with provocations on themes of family, politics and religion. (The author’s explanation for those who stumbled upon this series by accident: the alternative morality in “Zimopis” has nothing in common with the unconventional one) p>