Farce, comedy, tragicomedy. Essays on the historical poetics of dramatic genres

Farce, comedy, tragicomedy. Essays on the historical poetics of dramatic genres

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FL/602451/UA
Ukrainian
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The monograph examines the paths that drama takes from the era of “rebirth” in the medieval liturgy and folk festival to the most significant moments of genre shifts, forks, and dead ends. The material of the monograph is mainly genres that gravitate towards the comic register (comedy, farce, tragicomedy). Among the main topics: the typology of epic and dramatic genres in European literature of the classical period, built on the basis of the category of artistic time, the typology of classical European comedy, built on the basis of universal plot schematism, the genesis of liturgical drama, the plot invariant of the French medieval farce, the genre specificity of tragicomedy. p>



The text of the book was translated from the original language using an artificial intelligence program. For the most part, the translation of the text is of very high quality, but in some cases, due to the imperfection of the technology, there may be incorrect phrase translations in the text, as well as single words and expressions may not be translated.
FL/602451/UA

Data sheet

Name of the Author
Михаил Андреев Леонидович
Language
Ukrainian

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Farce, comedy, tragicomedy. Essays on the historical poetics of dramatic genres

The monograph examines the paths that drama takes from the era of “rebirth” in the medieval liturgy and folk festival to the most significant moments of genr...

Write your review

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