“...French critics, like the famous Lanson, reviewing the literary movement in France from the end of the 18th century. until the end of the 19th century. usually tend to note only some spontaneous change of literary schools. They explain the fall of one literary school and the rise of another on its ruins, mainly by the fact that the artistic techniques of a famous school and the plots developed by it became dilapidated, tired of the public, and began to have a depressing effect on it, by the fact that the literary principles of a famous school, having received one-sided development , have placed too heavy shackles on art. And the public joyfully rushes towards the new school, which promises to save them from boredom and “oppression”..."