“...G. Nevedomsky develops a program of “free” art, which he contrasts not only with “ideological” art, which has become widespread since the “sixties,” but also with “pure” art, preached by writers of reactionary shades. “It is clear to us,” he says, “that Both camps – the “ideological” and the “pure” – stand on an equally incorrect point of view, the incorrectness of which is due to a misunderstanding of the philosophical significance of art and its special tasks. ..."