In cinema, thought coincides with movements, and movements turn out to be inseparable from thought, but not always without stopping. Drawing plots from literature, cinema has a reverse influence on the further history of literature and culture in general. Film text, to a greater extent than ordinary verbal text, is involved in the process of intercultural communication. Based on the dynamic nature of cinema, the author consistently reveals the key aspects of visualization of mental activity in the past and the specifics of such activity at the present stage. Based on the position that a cultural text can be expressed both in the “natural language” of its origin and in the languages of various other arts, the Crimean film text, which is key for domestic film production, is considered as a subtext of the Crimean text of Russian culture. For cultural and literary scholars, film production specialists, students and graduate students of creative universities, well-read moviegoers as such. The publishing design is preserved in PDF A4 format.