The tradition of Demchog's Theater of Reality belongs along the theater line to the magical theater of Hermann Hesse and John Fowles, the theater of cruelty of Antonien Artaud, the metaphysical theater of madness and ultimate experience of Friedrich Nietzsche, the open laboratory theater of Jerzy Grotowski, and the Sacred Theater of Peter Brook. Recent related trends include the transpersonal theater of Stanislav Grof, who revealed the direction of the “cosmic game” in his book of the same name.

In the line of “reality as a game”, it belongs to the ancient Indian ideas about the divine game - lila, revived by Grof in his recent book, Joseph Huizinga's study of the "playful origin of culture" and Hermann Hesse's "bead game". Where these two lines intersect, a completely special understanding of the world and man begins, based on the fact that everything that we call real is just our perception, a performance of consciousness, in which in the same act of perception the viewer, actor, and director are born together and all the scenery of reality.

However, this performance in the theater of consciousness begins only when we rush into the opening depth, slipping from the surface of generally accepted perception and beginning our heroic journey away from the puppet theater.