Being in Moscow without friends or relatives, without money and documents is problematic in itself. And Lisa still can’t explain anything - she doesn’t have a voice. Her only Moscow acquaintance is Maxim Legostaev, a young and successful creative director of a glossy magazine. They met when Liza almost fell under the wheels of Maxim’s car. What could Maxim do with poor Liza: shelter her, warm her up, take her to a doctor’s consultation. Everything would be so if they hadn’t first shot at Lisa and then tried to strangle her in a dark gateway. Who can stop an unfortunate provincial woman so that a real hunt is open for her?