Modern youth today expects from book publishers something that will help them go beyond the conventions of a civilized and orderly existence, will create an alternative that most fully reflects the inner world of the new generation, full of searches, doubts, fantastic ups and no less bitter downs. It is precisely these aspirations youth is answered by a novel by one of the most provocative English writers of the nineties, Stuart Home. For most readers, the novel “Blowjob” will be a revelation, breaking the usual boundaries of everyday life and permissibility. But, as A. Tsvetkov says in the preface, “...those who have always been ready “despite the context” will understand it.”