The underside of the colorful animated masterpieces of world animation can reveal to the eyes of our children the duality of edifications skillfully woven into children's stories. In some places, the non-childish messages of all kinds of entertainment content for children on popular channels are more clearly visible. In their book, Boris Zykov and Lisa Gettinger want to draw the attention of readers to dubious truths and frankly corrupting overtones, veiled by animation masters in the most famous animated works. Stories that should, in theory, bring pure and bright thoughts filled with morality into the minds of our children, in reality may not be what they seem.