Recently, epistolary bestsellers from musical celebrities have become fashionable (like “Letters to a Young Pianist” by Gidon Kremer), which, among other things, touch upon serious moral and professional issues. This tradition is continued by the famous Russian organist Olga Minkina, who publishes a number of letters to her from the famous master of the Russian organ school, Leonid Roizman. In his messages “to the young organist,” he very straightforwardly, calling personalities and facts by their proper names, describes the delights of our musical system, which was always presented to us as impeccable.