“Sing with your diaphragm!”, “Control the sound!”, “Open your mouth!”, “Lower your tongue!” Sounds familiar doesn't it? The vocabulary of singing teachers and choir directors is full of such offensive and dangerous clichés. Every day, singers, without thinking about the competence of their teachers, strain their voices until, one fine day, I discover that it has “burned out.” Most teachers cannot understand that when a vocalist opens his mouth, he does not need to think about twenty different things at the same time. In order to get the first positive results, you only need to practice vocals for a few weeks. Regardless of what you sing: pop, rock, opera or musical, you must master such singing techniques that will allow you to relax and concentrate on acting. Author This book has successfully worked with hundreds of singers, actors and dancers, top-class professionals from all musical genres. And although not all of them can sing equally well, nevertheless, each of them has mastered the ability to do it confidently and naturally. Their secret lies in a technique called “singing in the speech position” (when the larynx is in the same position as during speech) It allows you to use your voice when singing as easily and comfortably as you do during a conversation. Regardless of the register and volume, the mouth and throat behave the same way. Your timbre and sung words will always seem natural to both you and your audience. This book, along with the accompanying cassettes, will help you master the same singing techniques that used by professionals. You'll be able to sing with freedom and confidence in a range you never dreamed of before. However, you need to be patient to follow all the instructions carefully. I wish you good luck!