At the exit from the Mosfilm film studio, I ran into a familiar cameraman Lekha. A couple of years ago, he and I worked on the same TV series. He was driving an old Toyota and offered to take him for a ride to the metro station. Along the way we started talking, reminiscing about old things and mutual acquaintances. Lech boasted that he is now in the preparatory period for another series. I, in turn, complained that one of the leading TV channels had changed management, and my new project was stuck, I was sitting without work and money.